Organic Architecture
Designing for the Soul and Spirit
Ecological design
Publications
Our approach is based on the principle that a
building design can arise from understanding all
aspects of the situation which it will serve.
We particularly try to understand:
The needs and aspirations of
the client.
The situation of the site.
(landscape, townscape, neighbouring
buildings, local
building materials, local
building forms, climate etc.)
The physical aspects of the
site (orientation to the sun, access, slope,
etc.)
The available resources
(budget, self-build capacity etc.)
If a building answers these aspects of the situation effectively, it will be organically related for its place and time. This does not mean that it will imitate forms in the natural world but that it will be true to its own nature. The parts will belong to the whole, in the same way that a hand relates to the rest of the body.
Our understanding of organic architecture is therefore close to that of Louis Sullivan, the American pioneer of modern architecture, who studied natural forms and concluded that “form follows function”, “function” being every aspect of the situation.
We particularly try to understand:
If a building answers these aspects of the situation effectively, it will be organically related for its place and time. This does not mean that it will imitate forms in the natural world but that it will be true to its own nature. The parts will belong to the whole, in the same way that a hand relates to the rest of the body.
Our understanding of organic architecture is therefore close to that of Louis Sullivan, the American pioneer of modern architecture, who studied natural forms and concluded that “form follows function”, “function” being every aspect of the situation.
Although buildings are essentially physical, they
can affect our sense of well-being, positively or
negatively. Architectural space has qualitative
aspects which relate to our soul and spirit nature
as well as addressing our purely physical needs,
however vitally important these are. This
intangible aspect of architecture is increasingly
valued today and is, we believe, the key to the
real nature of architecture as an art.
Our understanding of architecture for the soul and spirit is partly inspired by the work of Rudolf Steiner, who developed the principle of organic architecture to include the concept of metamorphosis. This approach involves introducing a sense of movement and change into the static forms of architecture whenever it is appropriate for the situation including, of course, the client’s wishes.
Our understanding of architecture for the soul and spirit is partly inspired by the work of Rudolf Steiner, who developed the principle of organic architecture to include the concept of metamorphosis. This approach involves introducing a sense of movement and change into the static forms of architecture whenever it is appropriate for the situation including, of course, the client’s wishes.
Our organic approach to design extends to
considering a building’s impact on the
environment. There are a number of factors we
consider under the general heading of
sustainability, for example:
minimising energy use and CO2
emissions by, for example:
planning for solar gain.
maximising insulation levels.
(in excess of current regulations)
storing heat in the building
fabric.
using energy-efficient
equipment.
using solar panels for hot
water.
conserving water by rainwater
harvesting, low water use WCs etc.
reducing pollution by, for
example, using zero ozone depleting
materials.
conserving resources by using
products with low embodied energy, from
renewable sources and made
from durable materials.
creating a health-promoting
interior environment by using non-toxic
materials derived from natural
sources where possible.
Further information on sustainability can be seen on the website of
The Association for Environment Conscious Building. www.aecb.net
Further information on sustainability can be seen on the website of
The Association for Environment Conscious Building. www.aecb.net
Andrew Beard, The Modern Movement: Is it relevant to a spiritual-scientific approach to architecture?” Anthroposophy Today, No 9, Spring 1990
Andrew Beard, Architecture as a Spiritual Art, New View, Spring 2006
Andrew Beard, Rudolf Steiner Architecture, An Introductory Reader, Rudolf Steiner Press / Sophia Books, 2003
More information at Architecture - Rudolf Steiner - An Introductory Reader