Organic Architecture

Designing for the Soul and Spirit

Ecological design

Publications

Our approach is based on the principle that a building design can arise from understanding all aspects of the situation which it will serve.

We particularly try to understand:
Picture8.1The needs and aspirations of the client.
Picture8.1The situation of the site. (landscape, townscape, neighbouring buildings, local
Picture 8building materials, local building forms, climate etc.)
Picture8.1The physical aspects of the site (orientation to the sun, access, slope, etc.)
Picture8.1The available resources (budget, self-build capacity etc.)

If a building answers these aspects of the situation effectively, it will be organically related for its place and time. This does not mean that it will imitate forms in the natural world but that it will be true to its own nature. The parts will belong to the whole, in the same way that a hand relates to the rest of the body.

Our understanding of organic architecture is therefore close to that of Louis Sullivan, the American pioneer of modern architecture, who studied natural forms and concluded that “form follows function”, “function” being every aspect of the situation.
Although buildings are essentially physical, they can affect our sense of well-being, positively or negatively. Architectural space has qualitative aspects which relate to our soul and spirit nature as well as addressing our purely physical needs, however vitally important these are. This intangible aspect of architecture is increasingly valued today and is, we believe, the key to the real nature of architecture as an art.

Our understanding of architecture for the soul and spirit is partly inspired by the work of Rudolf Steiner, who developed the principle of organic architecture to include the concept of metamorphosis. This approach involves introducing a sense of movement and change into the static forms of architecture whenever it is appropriate for the situation including, of course, the client’s wishes.
Our organic approach to design extends to considering a building’s impact on the environment. There are a number of factors we consider under the general heading of sustainability, for example:

Picture8.1minimising energy use and CO2 emissions by, for example:
Picture8.2planning for solar gain.
Picture8.2maximising insulation levels. (in excess of current regulations)
Picture8.2storing heat in the building fabric.
Picture8.2using energy-efficient equipment.
Picture8.2using solar panels for hot water.

Picture8.1conserving water by rainwater harvesting, low water use WCs etc.
Picture8.1reducing pollution by, for example, using zero ozone depleting materials.
Picture8.1conserving resources by using products with low embodied energy, from
Picture 8renewable sources and made from durable materials.
Picture8.1creating a health-promoting interior environment by using non-toxic
Picture 8materials derived from natural sources where possible.

Further information on sustainability can be seen on the website of
The Association for Environment Conscious Building. www.aecb.net
Picture 8Magazines:
Andrew Beard, The Modern Movement: Is it relevant to a spiritual-scientific approach to architecture?” Anthroposophy Today, No 9, Spring 1990
Andrew Beard, Architecture as a Spiritual Art, New View, Spring 2006

Picture 8Books:
Andrew Beard, Rudolf Steiner Architecture, An Introductory Reader, Rudolf Steiner Press / Sophia Books, 2003
More information at Architecture - Rudolf Steiner - An Introductory Reader